Author: Eva Barber Release Date: December 9, 2024 Series: Dark World (Book 1 of 2) Genre: Speculative Fiction, Sci-Fi, Surreal Format: E-book Pages: 458 pages Publisher: – Blurb: Olesya was not born like other people but was found in the Siberian Forest by a couple unable to have children. Plagued by mysterious visions and dreams, she struggles to fit into a society both as a socially inept but brilliant child and as she becomes part of a research team to discover the nature of dark matter. The findings of this discovery never make it to the scientific community as the project leader goes missing and the physics lab blows up, destroyed by a powerful foe with seemingly noble intentions. Seattle detectives question Olesya in connection with the explosion and the disappearance of her boss. She becomes a person of interest until she herself goes missing. From her kidnappers, she learns that her parents, knowing she lacked a belly button, suspected she was created by the Russian government as part of a scientific
experiment, and emigrated to the USA to hide and protect her. She also learns she possesses powers related to dark matter and of the existence of a brother held captive since his discovery by the Russian government. Even though she suspects her kidnappers’ interest in her and their motivations aren’t so noble, she joins them in rescuing her brother. Catastrophic world events following the successful rescue force her to continue working with her foes to save the world from destruction. While working to save the world, Olesya experiences a moral dilemma and becomes someone she never thought she’d be—a mother. Olesya learns of mysterious chambers scattered around the world, and her visions return to haunt her, until she opens the chambers and learns their secrets, wishing she hadn’t. Now she faces the heart-wrenching realization that she must travel into a dark dimension to save the world from self-destruction. Worse yet, her daughter, Emery, is the key to humanity’s salvation and must follow her mother once she becomes an adult because she is the only being who can travel where no one else can to restore balance to the universe and return with an extraordinary gift for humanity. But powerful entities have reasons to keep the gift away from humanity and will do anything to stop her.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
Eva Barber’s Unborn is a sprawling, multi-layered tale that weaves together mythology, science, political intrigue, and the raw intimacy of family bonds. At its heart lies Olesya, a young woman whose very existence straddles two worlds: the ordinary and the extraordinary. Discovered as a mysterious child in a Russian forest, she grows up to find her life intertwined with secrets of origin, otherworldly shadows, and a destiny that is as heavy as it is unavoidable.
What author Barber achieves brilliantly is the atmosphere. The shadow realm, where the unborn linger in darkness yearning to be born, is chilling and original. Some scenes are haunting and eerie, layered with sorrow and wonder.
Thematically, Unborn is preoccupied with identity, destiny, and the burden of choice. Olesya’s journey constantly tests the boundaries between science and the supernatural, fate and free will. The novel is ambitious, drawing on mythology, speculative science, and fears of loss and love.
That said, as an editor I must point out where the novel falters. At over 80 chapters, the pacing suffers under the weight of its own ambition. Some sections, particularly Olesya’s inner reflections, repeat ideas already conveyed, slowing momentum. And sometimes, the secondary characters and subplots dilute the focus.
Still, Unborn succeeds in leaving its reader with a lingering unease; the sense that destiny is both irresistible and cruel, and that love, even across impossible boundaries, may not be enough to undo what has been set in motion. Overall, Unborn is ambitious, atmospheric, and thematically rich, and it stands out for its originality and emotional depth.
Welcome to TRB Lounge. Today, I’d like to welcome Veronica Preston, author of Book of the Devil: Genesis, for an author interview with The Reading Bud.
About The Author
Veronica Preston
Veronica Preston is an author of spiritual fantasy fiction whose debut novel, Book of the Devil: Genesis, reimagines the myth of Iblis through a deeply philosophical and emotional lens. A lifelong lover of books, Veronica draws inspiration from sacred texts, spiritual philosophy, and her own reflections on morality, free will, and destiny.
Welcome to TRB! Could you provide our readers with a personal introduction beyond your official Author Bio?
I grew up surrounded by books and would often lose myself in their worlds. My first “real” job was at a library, and I loved everything about it — the smell of old pages, the towering bookcases, and the quiet, almost sacred atmosphere. These days, I gravitate toward non-fiction, which has deeply influenced my spiritual fantasy debut, Book of the Devil. Outside of writing, I love traveling and experiencing different cultures, foods, and traditions. At home, I share my space with four rescue cats who keep life lively, and I’m always on the hunt for new restaurants to try — I’m a true foodie at heart.
Beyond the blurb, can you share a unique aspect or background detail about your book’s setting or characters?
The blurb tells you the shape of the story, but not its pulse. Book of the Devil: Genesis was never meant to be just a retelling — it is the whisper of an ancient voice speaking through a modern pen. While I wrote, scenes would appear unbidden, as if the world of Nahar was pulling me inside it. One of the most vivid moments — when Iblis tears through the fabric of reality and stumbles into another dimension — wasn’t planned at all. It came to me like a vision, carrying with it the awe and terror of a being who does not yet understand the power he wields. Those moments, born of instinct rather than outline, became the heart of the story.
One of the most unique aspects of Book of the Devil: Genesis is the world of Nahar itself. It’s not just a backdrop—it’s a living, breathing realm with its own laws, rhythms, and energy. The Jinn who inhabit it are born of smokeless fire, yet they carry the same moral struggles, loyalties, and flaws as we do. Iblis, in particular, is unlike any portrayal of the Devil you’ve read before—here, you meet him as a child, shaped by love, loyalty, and the quiet but inevitable tug of destiny. It’s a story that blurs the line between the mythical and the deeply human.
Every book has a starting point. What was the spark or pivotal moment that inspired you towrite this one?
I was at a crossroads in my life, questioning whether the choices I was making were right or wrong. That search led me into scripture—the Qur’an, The Three Testaments, and writings on the Jinn and Iblis, who had fascinated me since university. At the same time, I was absorbing works like The Four Agreements, Conversations with God, and The Power of Now. Those ideas began to fuse, and then—almost overnight—the story appeared in my mind, fully formed. All I had to do was write it down. I felt, and still feel, a burning desire to get this story out and I can’t explain why. That’s why I’m working on Book 2 as we speak.
Is there a core message or theme in your book that you wish readers to discover?
Yes. At its core, Book of the Devil: Genesis asks readers to reconsider what they think they know about good, evil, and the space in between. I wanted to explore the idea that the “adversary” is not always a villain in the traditional sense, but sometimes a necessary force—one that challenges, questions, and disrupts in order to bring growth or truth to light.
It’s a story about pride, obedience, love, and exile—but also about the cost of holding onto your convictions when the price is everything you value. My hope is that readers walk away not with simple answers, but with deeper questions about morality, faith, and what it truly means to stand for something.
Of all the characters in your book, do you have a personal favourite? What makes themspecial to you?
I would have to say Zahra is my personal favorite. She embodies the quiet strength I admire—spiritual, compassionate, and deeply attuned to the unseen. Zahra has the gift of foresight and the power to heal, yet she wields them with humility and grace. She is a moral anchor in the story, someone who can see beyond the immediate to the greater arc of fate. Her calm presence feels like a light in a world full of conflict, and her love is both gentle and unshakable. Writing her felt like channeling a soul who already knew the answers, even when everyone else was still searching. Though, in the book, Zahra has doubts too but her faith in God’s will is strong.
How do you approach character development, ensuring they resonate with readers andfeel authentic?
Honestly, for Book of the Devil, the characters came to me as naturally as the story did. But to ensure they truly resonated with readers, I dug deeper. I asked myself: What made them who they are? What shaped their beliefs, attitudes, and values? What kind of decisions have they made—and why? What drives them, and what do they fear? I created detailed character profiles, exploring everything from their backstories to their likes, dislikes, and education.
Writing Book 1 taught me just how much depth there is to character development—I was only scratching the surface when I began. Now I see that authenticity often comes from how characters interact with one another and whether those interactions feel true to who they are. Building that depth is a blend of knowing them intimately and allowing them to surprise you on the page.
What was the inspiration for this book? Was it an idea, an anecdote, a dream, or somethingelse?
I sometimes say it was “divine inspiration,” but in truth, the story arrived like a whisper from somewhere older than memory. It came unbidden, yet with a sense of inevitability—like it had been waiting for me to give it form.
Perhaps it’s because I have always believed in the sanctity of free will. The thought of another—be it man, spirit, or Devil—pulling the strings of my choices unsettles me. In scripture, it is said that we will stand accountable for our deeds, while the Devil, in the end, will wash his hands of us. That truth lingers with me: the burden of morality is ours, a gift and a trial from God.
This book became my way of exploring that responsibility. Beneath the story’s fire and shadow, I hope readers will feel the pull to question the forces that shape them… and to seek their own truth, no matter how hidden it may be.
How long did it take you to write this particular book?
Approximately 5 months.
Are you working on any other stories presently?
Yes—right now I’m working on Book of the Devil: Purgatory, the second book in the trilogy. In Genesis, Iblis’s story was about discovery—of himself, his power, and the divine will. Purgatory is about what happens when that power is tested to its limits.
The stakes are higher, the battles—both within and without—more dangerous. Love, loyalty, and faith will be pushed to breaking point, and Iblis will be forced to confront the cost of the path he’s chosen.
Why have you chosen this genre? Or do you write in multiple genres?
I think the genre picked me, honestly. I didn’t start out with a specific category in mind—this was simply a story I felt compelled to write for reasons I still can’t fully explain. As the writing unfolded, I realized it could fall under the fantasy genre, but it’s far from a traditional, action-heavy fantasy novel. It’s deeply spiritual, reflective, and mythic. For the next two books in the trilogy, I’ll remain in the spiritual fantasy space, but I’d also love to explore other genres—perhaps a drama loosely based on real-life events, and one day, even a dive into horror.
When did you decide to become a writer? Was it easy for you to follow your passion, or didyou have to make some sacrifices along the way?
I’ve known I wanted to be a writer since I was a little kid—I wrote my first short story in grade four and was hooked. But following that passion wasn’t straightforward. My family had other ideas for my future, so I pursued a career where I found success and fulfillment for many years. Still, there was always a quiet voice inside reminding me that I needed something to truly feed my soul. Writing kept calling me back. I’m fortunate to have a very supportive partner, and his encouragement was instrumental—not only in giving me the courage to step into writing, but also in helping me through the journey of bringing my first book to life.
What is your writing ritual? How do you do it?
I don’t have a fixed writing ritual—at least, not yet. For Book of the Devil: Genesis, the words came when they wished, and if I wasn’t tied to something important, I would sit and let them spill onto the page. If I couldn’t write in that exact moment, I made it a priority to return to the idea before it faded, capturing it while it still burned brightly in my mind.
Because this was my first book, I didn’t follow a structured routine; the process felt more like being visited by a story that insisted on being told. That said, I can already see the beginnings of a ritual forming as I move into Book 2—an evolving rhythm in how I approach storytelling, as if the act of writing itself is slowly teaching me how it wants to be done.
Editing can be a gruelling process. How do you approach revisions and self-editing?
I’m not sure how other writers do it, but I’m a big believer in the magic of a second—or even third—set of eyes. When you’re living and breathing your own story, you stop seeing the little things: the sneaky typos, the awkward sentences, or that one paragraph that made sense at 2 a.m. but reads like ancient code the next morning.
After about 100 pages, my brain waves the white flag, so I happily hand the manuscript over to a couple of trusted friends—one with an editorial background—who are brave enough to tell me the truth. For me, editing isn’t just fixing mistakes; it’s turning “almost there” into “I can’t stop reading.”
We don’t have to do it alone and it was actually a fun process for me. When it becomes mentally fatiguing, I just step away from it for a while. Having those second and third set of eyes has been pivotal in the development of book 2.
With the rise of audiobooks and multimedia experiences, have you considered exploringthese avenues for your stories?
Absolutely! In fact, I’ve already begun exploring that space. Book of the Devil: Genesis is in production as an audiobook, with a voice actor bringing Iblis to life in a way that feels both intimate and cinematic. I’m also experimenting with multimedia—book trailers, character art, and even narrated excerpts—to immerse readers in the world of Nahar beyond the page. My goal is to make the story an experience, whether you’re reading it, listening to it, or watching it unfold.
Lastly, if you were to describe your writing style in three words, what would they be?
Mythic. Philosophical. Evocative.
How do you prefer to write—computer/laptop, typewriter, dictation, or longhand with apen?
Laptop all the way. I love the freedom to edit, rearrange, and make a mess without crossing out half a page. That said, when inspiration hits and I’m not near my computer, I’ll quickly type it into the Notes app on my phone—just to capture it before it slips away. I’ve also contemplated making a big visual storyboard to hang on my wall, so I can see the entire story world at a glance and live in it while I write
What are your 5 favourite books? (You can share 5 favourite authors too.)
There are far too many to choose from, so I’ll cheat a little and pick five from different genres. Letting Go by David R. Hawkins (spiritual self-discovery), Change Your Paradigm, Change Your Life by Bob Proctor (personal growth), Memoirs of a Geisha by Arthur Golden (historical fiction), the Harry Potter series by J.K. Rowling (fantasy), and the Twilight saga by Stephenie Meyer (paranormal romance). Each one left its own mark on me in completely different ways.
How do you deal with Writer’s Block?
I give my mind a breather. I truly believe inspired ideas come when we sit in stillness and give them space to be heard. When writer’s block hits, I’ll turn inward—maybe meditate or simply sit with the question, ‘What’s next?’—and then deliberately step away. I might go out with a friend, take a walk, or do something completely unrelated to writing. The distance works wonders. Eventually, the answer always finds its way back to me
What advice would you give to aspiring writers?
I’m still very much on my own writing journey, but if I had to offer advice, it would be this: don’t wait for the ‘perfect moment’ to start—just begin. Let your first draft be messy, raw, and unapologetic. Read widely, write often, and don’t be afraid to step away when you need to recharge. And most importantly, trust that your voice matters, even if you’re still figuring out exactly what it sounds like
Every book begins with an idea. What was the initial inspiration that led you to write thisparticular story?
I sometimes say it was “divine inspiration,” but in truth, the story arrived like a whisper from somewhere older than memory. It came unbidden, yet with a sense of inevitability—like it had been waiting for me to give it form.
Perhaps it’s because I have always believed in the sanctity of free will. The thought of another—be it man, spirit, or Devil—pulling the strings of my choices unsettles me. In scripture, it is said that we will stand accountable for our deeds, while the Devil, in the end, will wash his hands of us. That truth lingers with me: the burden of morality is ours, a gift and a trial from God.
This book became my way of exploring that responsibility. Beneath the story’s fire and shadow, I hope readers will feel the pull to question the forces that shape them… and to seek their own truth, no matter how hidden it may be.
Fantasy often tackles profound themes. What central message or theme do you hopereaders will take away from your book?
At its heart, Book of the Devil: Genesis is about choice. The power we each hold to shape our path—no matter the forces, temptations, or voices that try to sway us. It’s about the weight of free will, the courage to question, and the cost of standing by one’s convictions. I hope readers leave with the reminder that light and darkness aren’t always external—they exist within us, and our decisions determine which we nurture.
Of all the characters in your book, is there one you feel particularly close to? Why?
I would have to say Zahra is my personal favorite. She embodies the quiet strength I admire—spiritual, compassionate, and deeply attuned to the unseen. Zahra has the gift of foresight and the power to heal, yet she wields them with humility and grace. She is a moral anchor in the story, someone who can see beyond the immediate to the greater arc of fate. Her calm presence feels like a light in a world full of conflict, and her love is both gentle and unshakable. Writing her felt like channeling a soul who already knew the answers, even when everyone else was still searching. Though, in the book, Zahra has doubts too but her faith in God’s will is strong.
How do you approach character development in a fantasy setting to ensure they arerelatable to readers?
Character development is tricky enough when they’re human—try doing it for a being made of smokeless fire. My first step was to give them a form so readers could connect with them. Since scripture, especially the Qur’an, often speaks in allegory, I asked myself what could represent smokeless fire in a way that felt true to the text yet vivid for the imagination. That question sent me deep into research until the right image emerged. Once they had a body, the rest was effortless—their personalities, flaws, and quirks just seemed to step into the story, as though they’d been waiting all along for me to write them down
What served as the primary inspiration for this book? Was it an existing myth, a personalexperience, a dream, or something else entirely?
If I had to name it, I’d call it divine mischief—an idea that arrived uninvited and refused to leave. The inspiration flowed as though it had always been there, waiting for me to give it voice. Perhaps it’s because I value my autonomy and bristle at the thought of unseen forces—like the Devil—steering my actions. I believe free will is a gift from God, and with it comes the responsibility to live ethically. Scripture tells us the Devil will one day wash his hands of us, absolved of wrongdoing, leaving only our choices to speak for us. That truth stayed with me. This book is my way of wrestling with that idea and, I hope, inviting others to seek their own
How long did the process of writing this book take from inception to completion?
2 years. Approximately 5 months to write.
Are there other stories or fantasy worlds you’re currently developing?
Yes—I’m deep in the creation of Book 2 in the Book of the Devil series, Purgatory. If Genesis is the origin, then Purgatory is the crucible. Iblis has matured from an impassioned youth into a warrior in God’s army, navigating the shifting tides between duty and doubt. The story delves into the forging of Hell—not as a place of senseless torment, but as a realm of purpose—and tests the limits of forgiveness, loyalty, and destiny. This world is expanding, its shadows lengthening, and I’m eager for readers to walk deeper into it with me
What attracts you to the fantasy genre specifically? Do you explore other genres as well?
I like to think the fantasy genre chose me. I didn’t set out with a label in mind—this story arrived fully formed in my head, and I simply followed where it led. As I wrote, I realized it fit into the realm of spiritual fantasy, though it isn’t the traditional action-heavy quest type. Fantasy allows me to blend the mythical with the philosophical, to weave worlds where divine questions meet human emotion. I do plan to stay in this genre for the rest of the trilogy, but I’m also drawn to drama inspired by real life and, someday, I’d love to explore horror. I suppose I’m a storyteller first, and a genre writer second.
When did you first realise you wanted to be a writer? Was the journey straightforward, ordid you face challenges along the way?
I’ve known I wanted to be a writer since I was a little kid—I wrote my first short story in grade four and was hooked. But following that passion wasn’t straightforward. My family had other ideas for my future, so I pursued a career where I found success and fulfillment for many years. Still, there was always a quiet voice inside reminding me that I needed something to truly feed my soul. Writing kept calling me back. I’m fortunate to have a very supportive partner, and his encouragement was instrumental—not only in giving me the courage to step into writing, but also in helping me through the journey of bringing my first book to life.
Can you describe your typical writing routine?
I don’t have a fixed writing routine—at least, not yet. For Book of the Devil: Genesis, the words came when they wished, and if I wasn’t tied to something important, I would sit and let them spill onto the page. If I couldn’t write in that exact moment, I made it a priority to return to the idea before it faded, capturing it while it was still in my mind.
Because this was my first book, I didn’t follow a structured routine; the process felt more like being visited by a story that insisted on being told. That said, I can already see the beginnings of a routine forming as I move into Book 2—an evolving rhythm in how I approach storytelling, as if the act of writing itself is slowly teaching me how it wants to be done.
Editing is a crucial part of the writing process. How do you approach revisions and self-editing in the context of a fantasy narrative?
For me, editing is where the world of Nahar sharpens into focus. I’m too close to the work while drafting—too deep in the fire—to catch every flaw. That’s why I lean on trusted second (and third) sets of eyes, including a friend with an editorial background. I’ll read through, refine what I can, then hand it off. Sometimes after 100 pages my brain goes cross-eyed, so having outside perspective keeps the magic intact while catching the cracks.
How do you tackle Writer’s Block when working within the expansive boundaries offantasy?
I don’t fight it. I step away. I believe ideas often arrive when we stop chasing them. I’ll meditate, sit with the question, “What next?”, then distract myself—walks, time with friends, something unrelated. Without fail, the answer eventually pushes through the quiet.
What piece of advice would you offer to budding writers, especially those looking toventure into fantasy?
Don’t be afraid to build a world that only you could imagine—and then trust your readers to step into it. Research deeply, write boldly, and remember: the first draft isn’t meant to be perfect, it’s meant to exist.
Thank you, author Preston, for taking the time to answer our questions and for all your insightful answers!
About the Book
The Book of the Devil
This isn’t a tale of horns and pitchforks. It’s a tale of questions, echoes, and exile. Book of the Devil: Genesis reimagines the Devil as Iblis—a being of fire, loyalty, and impossible choices. Born into a world of smokeless flame, Iblis is chosen to serve God, but he begins to question the nature of obedience, justice, and divine will. His rebellion is not out of vanity, but love, sorrow, and a desire to understand. As he rises through the celestial order, Iblis walks the line between sacred and profane, setting the stage for a fall that may be more holy than it seems.
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Author: Josh Martin Release Date: January 27, 2025 Series: B&G Mystery: We Can’t Tell You (Book 1 of 3) Genre: Horror, Mystery, Supernatural, Psychological Thriller Format: E-book Pages: 107 pages Publisher: – Blurb: Have you ever awoken from a deep sleep and still feel like you’re dreaming? A few minutes of confusion is certainly common….. But what about several months? Not so common, unfortunately. One day, not quite a year ago, it happened to me. I couldn’t shake the feeling. I could remember, and not remember, all at the same time.
Confused? Yeah, I was too…. Still am, as a matter of fact. That one morning changed everything. I mean everything. Nothing could have prepared me for the events that followed. Prepare yourself…. You’re about to see why.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
B&G Mystery: We Can’t Tell You by Josh Martin is an ambitious and unsettling thriller that begins in the quiet of a Wisconsin morning but quickly spirals into a labyrinth of déjà vu, cryptic notes, phantom figures, and rules that seem to govern fate itself. Told through the eyes of a seventeen-year-old whose memory and reality keep splintering, the novel places readers in the same disoriented state as its protagonist, never sure whether he is awake, dreaming, or being manipulated by forces beyond comprehension.
The book’s strength lies in its atmosphere. From the very first pages, the story is drenched in dread. The text messages, the mysterious trio in the woods, the near-death experiences at intersections, and the omnipresent feeling of being watched create a constant sense of unease. Symbolism is cleverly threaded throughout, providing narrative cohesion even when the plot itself veers into deliberate chaos.
I must point out that the narrative often undermines itself with repetition. Tension that should build steadily sometimes loops back on itself, making the pacing sag in the middle chapters. Yet when the book works, it works brilliantly. The closing chapters bring together many of the scattered clues and escalate the narrative into cosmic horror, suggesting that the story is not merely about one boy’s fractured reality but about humanity itself being manipulated, collected, and used.
We Can’t Tell You Part 1 is a bold, eerie, and at times brilliant psychological thriller that thrives on atmosphere and symbolism. It is a gripping, confusing, and unforgettable experience that lingers long after the last page, even if the reader is left with more questions than answers.
Author: Amanda White Release Date: January 27, 2025 Series: Genre: Fantasy, Adventure Format: E-book Pages: 192 pages Publisher: – Blurb: Legends and common knowledge don’t always agree, but when it comes to wizards the facts are not so far from the stories. Both say that tunics are made from wild magic. Both say that a len who catches, tames, and puts on a tunic is a wizard. And both say that a wizard is named and known by his deeds. Take Duin the Fearless or Bjarne the Vengeful as examples. My name is Hol and I am a wizard of the kingdom of Dar.
Though this is true, what name will come from my deeds is yet unknown. From the time I was young, my mother said I would be known as Hol the Proud. The Queen once called me Hol the Loyal. The other wizards of Dar call me Hol the Upstart. Most times, I fear I will be remembered as Hol the Failed. My tunic has its own opinions about what I should be called. In fact, my tunic has opinions about everything. If it has its way, I will be known as Hol the Fortunetelling Wizard. But there hasn’t been a fortunetelling wizard in Dar in over eight hundred years and because I didn’t actually catch or tame my tunic, I fear even more that I might not even be a wizard at all. I want to prove my mother wrong. I want to prove the other wizards wrong. And most of all, even if my tunic ends up being right, I hope I prove myself wrong as well.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
Amanda White’s The Fortunetelling Wizardand Other Stories from the Kingdom of Dar is a lushly imagined fantasy tale set in the kingdom of Dar, where magic is not merely spectacle but a dangerous, demanding force. At its heart is Hol, a young wizard bound to a tunic of wild magic, who dares to take on the mantle of being the fortune-telling wizard, thought to be extinct for over eight hundred years.
What makes the book so compelling is its voice. Told in first person, Hol’s narration is both intimate and wry, colored by his constant dialogue with his sentient tunic. This relationship, half companion and half conscience, lends the story a unique freshness, layering humor and heart into scenes that might otherwise veer too dark. The mythology of fortunetelling wizards is richly drawn, giving the narrative a depth of history that feels lived-in.
Thematically, the novel is about destiny versus agency. Hol is repeatedly warned that “knowing the future does not save one from it”, yet he clings to the belief that “telling the future saves others.” This tension drives the story, especially as he becomes entangled with kings, queens, banshees, and form stealers.
The book’s greatest strength, its rich and lyrical prose, is also, at times, its weakness. Sentences often seem to run long, layered with description and lore. While this creates atmosphere, it occasionally hampers pacing. A leaner approach could heighten the urgency of the plot without sacrificing its richness.
That said, author White succeeds in crafting a tale that feels both old and new. The interplay of folklore, political intrigue, and personal ambition gives the novel a layered texture, and Hol’s determination to prove himself makes him an endearing protagonist. The climactic confrontations, especially with the form stealer, are vivid, cinematic, and emotionally charged.
On the whole, The Fortunetelling Wizard is a thoughtful, atmospheric fantasy that stands out for its inventive magic system and its narrator’s unique voice. Though it could benefit from tighter pacing in places, it remains a worthy, ambitious contribution to the genre.
Welcome to the TRB Lounge. Today, we are featuring author Veronica Preston for her latest release, Book of the Devil: Genesis.
Book:Book of the Devil: Genesis Author: Veronica Preston Publication Date: August 27, 2025 Available Formats: Paperback, eBook, Audiobook (coming soon) Publisher: Independently Published Genres: Spiritual Fantasy, Mythic Fiction, Speculative Fiction Page Count: 201
About the Book
This isn’t a tale of horns and pitchforks. It’s a tale of questions, echoes, and exile. Book of the Devil: Genesis reimagines the Devil as Iblis—a being of fire, loyalty, and impossible choices. Born into a world of smokeless flame, Iblis is chosen to serve God, but he begins to question the nature of obedience, justice, and divine will. His rebellion is not out of vanity, but love, sorrow, and a desire to understand. As he rises through the celestial order, Iblis walks the line between sacred and profane, setting the stage for a fall that may be more holy than it seems.
Veronica Preston is an author of spiritual fantasy fiction whose debut novel, Book of the Devil: Genesis, reimagines the myth of Iblis through a deeply philosophical and emotional lens. A lifelong lover of books, Veronica draws inspiration from sacred texts, spiritual philosophy, and her own reflections on morality, free will, and destiny.
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Welcome to the TRB Lounge. Today, we are featuring author Eva Barber for her latest release, Unborn (Dark World).
Book: Unborn Author: Eva Barber Publication Date: December 18, 2024 Publisher: Independently Published Genres: Science Fiction Page Count: 366
About the Book
Olesya was not born like other people but was found in the Siberian Forest by a couple unable to have children. Plagued by mysterious visions and dreams, she struggles to fit into a society both as a socially inept but brilliant child and as she becomes part of a research team to discover the nature of dark matter. The findings of this discovery never make it to the scientific community as the project leader goes missing and the physics lab blows up, destroyed by a powerful foe with seemingly noble intentions. Seattle detectives question Olesya in connection with the explosion and the disappearance of her boss. She becomes a person of interest until she goes missing. From her kidnappers, she learns that her parents, knowing she lacked a belly button, suspected she was created by the Russian government as part of a scientific experiment, and emigrated to the USA to hide and protect her. She also learns she possesses powers related to dark matter and of the existence of a brother held captive since his discovery by the Russian government. Even though she suspects her kidnappers’ interest in her and their motivations aren’t so noble, she joins them in rescuing her brother. Catastrophic world events following the successful rescue force her to continue working with her foes to save the world from destruction. While working to save the world, Olesya experiences a moral dilemma and becomes someone she never thought she’d be—a mother. Olesya learns of mysterious chambers scattered around the world, and her visions return to haunt her, until she opens the chambers and learns their secrets, wishing she hadn’t. Now she faces the heart-wrenching realization that she must travel into a dark dimension to save the world from self-destruction. Worse yet, her daughter, Emery, is the key to humanity’s salvation and must follow her mother once she becomes an adult because she is the only being who can travel where no one else can to restore balance to the universe and return with an extraordinary gift for humanity. But powerful entities have reasons to keep the gift away from humanity and will do anything to stop her.
Eva currently lives in Washington State. She is a biologist and artist and is passionate about books and storytelling. Eva’s firsthand experience growing up in the Soviet-era Eastern Block adds a unique perspective and a distinct dimension to her stories. When she is not painting or writing, she spoils her two mutts and her husband, Mike, with treats and attention (not necessarily in that order). Her debut novel, Misunderstanding, won a Literary Titan Silver Book Award given to an outstanding author who has captivated her audience with skillful prose, engaging narratives, and compelling real and imagined characters. The award recognized it as a book that stands out for its innovative storytelling and insightful exploration of truth and fiction.
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Welcome to the TRB Lounge. Today, we are featuring author Josh Martin for his debut supernatural thriller series release, B&G Mystery: We Can’t Tell You: Parts 1, 2, and 3.
Book: B&G Mystery: We Can’t Tell You Author: Josh Martin Publication Date: July 20, 2024 Publisher: Independently Published Genres: Mystery, Supernatural Thriller, Horror Page Count: 100
About the Book
From Book 1: Have you ever awoken from a deep sleep and still feel like you’re dreaming? A few minutes of confusion is certainly common….. But what about several months? Not so common, unfortunately. One day, not quite a year ago, it happened to me. I couldn’t shake the feeling. I could remember, and not remember, all at the same time. Confused? Yeah, I was too…. Still am, as a matter of fact. That one morning changed everything. I mean everything. Nothing could have prepared me for the events that followed. Prepare yourself….
You’re about to see why.
You can find B&G Mystery: We Can’t Tell You here: Amazon
About The Author
Josh Martin
Bio – Josh is happily married and a father to two awesome boys. He graduated from the University of Wisconsin in 2007 with a major in Sociology. The B&G Mystery series is his first published work.
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Welcome to the TRB Lounge. Today, we are featuring author Amanda White for her latest release, The Fortune Telling Wizard and Other Stories from The Kingdom of Dar.
Book: The Fortunetelling Wizard And Other Stories From the Kingdom of Dar Author: Amanda White Publication Date: January 27, 2025 Publisher: Amanda White Genres: Fantasy Page Count: 192
About the Book
Legends and common knowledge don’t always agree, but when it comes to wizards the facts are not so far from the stories. Both say that tunics are made from wild magic. Both say that a len who catches, tames, and puts on a tunic is a wizard. And both say that a wizard is named and known by his deeds. Take Duin the Fearless or Bjarne the Vengeful as examples. My name is Hol and I am a wizard of the kingdom of Dar. Though this is true, what name will come from my deeds is yet unknown. From the time I was young, my mother said I would be known as Hol the Proud. The Queen once called me Hol the Loyal. The other wizards of Dar call me Hol the Upstart. Most times, I fear I will be remembered as Hol the Failed. My tunic has its own opinions about what I should be called. In fact, my tunic has opinions about everything. If it has its way, I will be known as Hol the Fortunetelling Wizard. But there hasn’t been a fortunetelling wizard in Dar in over eight hundred years and because I didn’t actually catch or tame my tunic, I fear even more that I might not even be a wizard at all. I want to prove my mother wrong. I want to prove the other wizards wrong. And most of all, even if my tunic ends up being right, I hope I prove myself wrong as well.
Amanda White is a fantasy and literary fiction writer. With a firmness of heart, she believes as Toni Morrison said, “If you find a book you really want to read but it hasn’t been written yet, then you must write it.” More and more, she sees the need for books with valiantly good characters, worlds that can be fixed, and hopeful and optimistic endings. This is not to say that her characters don’t have flaws (doesn’t everyone?), make the wrong choices, or have the occasional (or frequent) fit of temper. This is not to say that the worlds represented aren’t already broken or quite imperfect. This is not to say there isn’t plot, plotting, loss, pain, or growth. But rather that, overall, as the stories unfold, optimism wins out over pessimism and the hope that is served up both hot and cold is flavorful enough to taste.
She currently lives in Dallas, Texas where she dreams of mountains and high-altitude, low-humidity air and (barely) survives city living by being close enough to her young nephew and niece to play whatever it is they want to play (usually and often something to do with Pokemon or unicorns).
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Author: Allen Wyler Release Date: 7 July 2025 Series: Deadly Odds Genre: Medical Thriller, Thriller, Cyber Thriller, Suspense Format: E-book Pages: 281 pages Publisher: Stairway Press Blurb: On a Sunday morning, an unsuspecting parishioner collapses on the steps of a church. Moments later the CEO of a cardiac pacemaker company receives a phone call from an electronically distorted voice demanding that they shutter their business by the end of the week, or he will continue to kill implanted patients. Arnold Gold’s team of cyber detectives must now race the clock to track down the hacker’s identity and stop him before he can kill other innocent victims. Arnold Gold and his team of techie geniuses break their vow—no new clients—when a hacker launches a deadly game targeting AI-driven pacemakers. Another heart-stopping read from Allen Wyler.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
Deadly Odds 8.0 by Andy Wyler is a tightly woven medical cyber-thriller that feels both frighteningly plausible and compulsively readable. The story opens with a seemingly ordinary Sunday morning at church, shattered when a parishioner collapses, his AI-driven pacemaker fatally compromised. Almost immediately, the CEO of a cardiac device company is threatened by a faceless hacker: shut down your operations or more people will die.
Enter Arnold Gold and his team of cyber detectives. Known for their vow of taking on no new clients, they are forced to break it when lives hang in the balance. What follows is a relentless chase through the shadowy world of hacking, corporate sabotage, and medical technology vulnerabilities.
What I loved most about this book is how author Wyler blends medical science with cutting-edge cyber warfare. The plot is terrifying because it’s plausible, the idea that someone could weaponize pacemakers through AI isn’t far-fetched in our world of interconnected devices. That plausibility gives every chapter a pulse of urgency.
Arnold, with his brilliant but socially awkward demeanor, anchors the story. His sharp intellect paired with his team’s collective skills makes for some clever, nail-biting investigative sequences. At the same time, author Wyler doesn’t lose sight of the human stakes: each victim is a reminder that this isn’t just a game of codes and firewalls, it’s about real lives being extinguished with a keystroke.
The pacing is tight, the tension unrelenting, and the moral questions layered just enough to keep you thinking even as you flip the pages in a rush.
Deadly Odds 8.0 is another heart-stopping entry from Allen Wyler, perfect for readers who enjoy thrillers that merge medical technology, cybercrime, and high-stakes suspense. If you’re looking for a story that feels both entertaining and frighteningly possible, this one’s a must-read.
Author: Rudy Ridolfo Release Date: 2 May 2025 Series: Genre: Memoir, Non-Fiction, Humour, Essay Format: E-book Pages: 131 pages Publisher: – Blurb: Job Junky is a bare-bones memoir of work, survival, and everything in between. Told in short, raw chapters, it reads more like a barstool confession than a polished life story. Rudy Ridolfo worked over 50 jobs while chasing a creative dream—from managing shady bars and moving trucks to airport tarmacs, martial arts dojos, and indie film sets. Along the way, he crossed paths with unforgettable coworkers, chaotic bosses, and even icons like Al Pacino and Robert Redford—learning not from their fame, but from how they worked
There’s no tidy arc or grand revelation here. Just true stories from the grind—gritty, absurd, and unexpectedly funny. If you’ve ever clocked in, burned out, or wondered what the hell you’re doing with your life—this one’s for you.
“A funny, delightful, and incisive tour of working odd jobs.” —Kirkus “Wild… Reading this book is a ride.” —Independent Book Review “Fast, matter-of-fact, and full of memorable moments.” —San Francisco Book Review “Insightful, humorous, and engaging.” —The US Review of Books
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
There are memoirs, and then there are wild, gut-punched, whiskey-soaked truth bombs like Job Junky. Rudy Ridolfo’s unconventional chronicle of forty-odd jobs spanning decades reads like Hunter S. Thompson and Charles Bukowski got together to document the gig economy before it had a name.
What begins as a sardonic retort to a dismissive remark, “You were in the movie business,” spirals into a fever-dream confession about the absurdities of surviving while chasing a creative life. From sewage trucks and donut shops to nightclubs, acting gigs, and near-death moments, Ridolfo throws you headfirst into scenes that are messy, hilarious, and heartbreakingly human.
The structure is episodic, like reading journal entries dictated by someone who’s part philosopher, part hustler, and part accidental prophet of the working class. And it works. Because Ridolfo doesn’t just tell us what he did—he shows us how it felt to be discarded, desired, disoriented, and ultimately defiant.
There’s something profoundly liberating about this book’s refusal to be polished. The stories are vulgar and vulnerable in equal measure, peppered with gritty humour and surprising emotional depth. As a writer, I found myself admiring how effortlessly he shifts tone—from bawdy to tender, from surreal to sobering. It’s memoir meets street theatre meets a cigarette break in a film noir.
But what elevates Job Junky is that it’s not just about jobs. It’s about identity. About masculinity. About family wounds and inherited violence. About the price of pursuing art when life keeps shoving reality in your face. It’s not merely a working man’s diary, it’s a manifesto of survival with grace, even in degradation.
That said, the book’s rawness may not suit everyone. Some anecdotes push boundaries, and others may come off as overly indulgent or chaotic. But in Ridolfo’s world, that’s kind of the point—there’s no tidy resolution, only a relentless will to keep moving.
Ultimately, Job Junky is a masterclass in lived experience, told by a man who has nothing left to prove and everything to confess. It’s equal parts tragic and triumphant, and if you’ve ever felt like your “real job” was just a myth you’re still chasing, this book is for you.
Welcome to the TRB Lounge. Today, we are featuring author Allen Wyler for his latest release, Deadly Odds 8.0.
Book: Deadly Odds 8.0 Author: Allen Wyler Publication Date: July 8, 2025 Publisher: Stairway Press Genres: Medical Thriller, thriller Page Count: 281 For Readers Of: John Sanford, Don Winslow
About the Book
On a Sunday morning, an unsuspecting parishioner collapses on the steps of a church.
Moments later the CEO of a cardiac pacemaker company receives a phone call from an electronically distorted voice demanding that they shutter their business by the end of the week, or he will continue to kill implanted patients.
Arnold Gold’s team of cyber detectives must now race the clock to track down the hacker’s identity and stop him before he can kill other innocent victims.
Arnold Gold and his team of techie geniuses break their vow—no new clients—when a hacker launches a deadly game targeting AI-driven pacemakers. Another heart-stopping read from Allen Wyler.
“Deadly Odds 7.0 is one of the year’s best thrillers.”
—BestThrillers.com
“Arnold Gold and the team are back at it in this techno-thriller, the focus on detail to real world technology threats brings a level of realistic danger.”
—JT Gaietto, Digital Silence, LTD.
“The crime at the heart of Allen Wyler’s latest techno-thriller will give you chills when you realize how entangled we all are with our technology.”
—Steve Goble, author of the Shamus Award-nominated Go Find Daddy
About The Author
Allen Wyler
Allen Wyler is a retired neurosurgeon who lives in Seattle. Allen’s thrillers have twice been nominated for the prestigious Thriller Award. He has served on the Board of Directors of the International Thriller Writers and is also an active member of the North American Crime Writers and Mystery Writers of America.
If you are an author and wish to be featured as our guest or if you are a publicist and want to get your author featured on TRB, then please get in touch directly by e-mail at thereadingbud@gmail.com
Author: Andrew Masseurs Release Date: 1 June 2025 Series: A Day in the Life Series (Book 5) Genre: Post-Apocalypse, Thriller, Dystopia, Survival Horror Format: E-book Pages: 428 pages Publisher: – Blurb: ‘A Tale of Revenge!’ Vengeance! Lucy is hunting down the men who did her wrong. One victim at a time! How can she achieve this in a world full of vicious predators both human and inhuman and who is the unlikely stranger she has grown an alliance with? Can Michael, Shelby and the Uncles of the Apocalypse free Tim, Steven and Mr Oscar from the horrific chains of The Hunter and most importantly will Horacio complete the twelve tasks to become an Uncle?
Will Tony, Luke and Matt survive the wrath of a woman scorned and what dreams are haunting Teresa’s nightmares? All these questions and more will be answered in the exciting fifth book in the A Day in the Life Series. A book you won’t want to miss and will not be able to put down. The vengeful, merciless tale of, ‘The Ghost Whisperer!’ Join in the fight to survive…
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
The fifth instalment in Andrew Masseurs’ A Day in the Life series, The Ghost Whisperer, is a relentless plunge into a brutal, post-apocalyptic nightmare where survival is never guaranteed and alliances are as fragile as the bodies that make them.
Author Masseurs wastes no time immersing us in his bleak, creature-infested world; a place where monstrous predators roam freely, the cold itself feels like a weapon, and trust is as dangerous as betrayal. Through a web of interlinked perspectives the novel balances the intimacy of personal vendettas with the sweeping scale of survival horror.
The prose is cinematic yet gritty, pulling you through narrow corridors, ice-bitten roads, and tense face-offs that feel like they could detonate at any second. The atmosphere is relentless, and even moments of camaraderie are undercut by the knowledge that trust can be a death sentence.
What author Masseurs does brilliantly is layer human conflicts over the already hostile environment. The grotesque, otherworldly predators are terrifying, but it’s the moral compromises, the fractured loyalties, and the moments of desperation that make the novel so unnerving. You never quite know whether the real danger is outside the door or sitting across from you at the fire.
While it’s part of a series, The Ghost Whisperer stands strongly on its own, though readers familiar with earlier books will appreciate the deeper character arcs and recurring threads. It’s violent, tense, and at times deeply unsettling, but it also has an undercurrent of resilience that serves as a reminder that even in a world this far gone, vengeance, loyalty, and survival are still deeply human drives.
The Ghost Whisperer is a gritty, atmospheric continuation of the A Day in the Life saga that blends creature horror with the even sharper horror of human nature. Not for the faint-hearted, but highly recommended for fans of apocalyptic fiction that doesn’t pull its punches.
Author: Sebastiano Lanza Release Date: March 27, 2025 Series: Burn My Shadow (Book 1) Genre: Graphic Novel Format: E-book Pages: under 100 pages Publisher:Markosia Enterprises Blurb: November 2113. Tharmas and K – outcasts of society – are in dire need of supplies. They journey to Leipzig, the nearest megalopolis. Here, Tharmas comes to knowledge of an impending speech by Thomas Crowley – the head of public relations of the European Commission. Tharmas is positive Mr Crowley holds a dark truth, which will lead him to what he’s after.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
From the very first panel, Face in the Sand pulls you into a bleak, wind-scoured world where survival is as much about grit as it is about sheer luck. This opening issue of Burn My Shadow doesn’t waste time with exposition dumps, instead, it drops us straight into the desperate trek of Tharmas and K, two unlikely companions bound together by necessity. Hunger gnaws, water runs low, and the only constants are the endless desert and the shadow of danger that seems to follow them.
The sepia-toned palette by Iacopo Calisti sets the perfect tone for this dystopian landscape where the muted colours aren’t just aesthetic, but they press down on you, almost making you feel the grit in your teeth and the oppressive heat on your skin. The dialogues keep the pacing sharp, giving urgency to their terse exchanges and adding weight to the silences between them.
What I loved most was how quickly the author establishes a sense of moral tension. This isn’t just another survival story; it’s about the choices you make when the world has stripped away comfort, civility, and certainty. The city they eventually reach is no haven, it’s a place of masks (literal and metaphorical), rigid control, and desperation. The faceless enforcers are unsettling, their uniform anonymity acting as a chilling contrast to the raw humanity of the people scraping by.
The action sequences are tight and cinematic. The supply run chase had me flipping panels with bated breath. If this first issue is any indication, Burn My Shadow promises a gritty, morally complex journey where every step forward costs something. It’s tense, atmospheric, and unflinching. It is a story that asks how far you’d go to survive, and who you might become along the way.
Author: L J Ambrosio Release Date: 21 July 2025 Series: Reflections of Michael Trilogy (Book 3) Genre: Literary Fiction, Contemporary Fiction Format: E-book Pages: 166 pages Publisher: Louis Ambrosio Blurb: From America to the streets of Paris, A New Life follows two friends as they navigate grief, love, and self-discovery in a city filled with history and hope. A New Life is a story that lingers long after the last page. In the shadow of personal loss, two men journey from America to Paris in search of healing, purpose, and a place to belong. Set against the romantic backdrop of Shakespeare and Company bookstore, A New Life is a poignant tale of love, loss, and the transformative power of friendship, literature, and new beginnings.
Review
⭐⭐⭐⭐
Rating: 4 out of 5.
A New Life by L.J. Ambrosio is the third book in the Reflections of Michael Trilogy. It is one of those deep, philosophical books that doesn’t merely tell a story, it makes you to pause and listen. It’s a meditation on grief, friendship, memory, and the philosophical pursuit of freedom, wrapped in the intimate bond between two men, Ron and Louie, as they go through life in Paris after profound personal losses.
At its core, this novel isn’t plot-driven; it’s character-driven, emotion-led, and deeply poetic. Author Ambrosio invites us into the world of Shakespeare and Company as a sanctuary, a home for the broken and the brilliant. Through rich, dialogue-heavy scenes and introspective monologues, we witness Louie and Ron as they rebuild their lives and identities in the wake of death, trauma, and exile.
What I found particularly compelling is Ambrosio’s ability to layer personal grief with historical and literary subtexts. Through references to St. John of the Cross, Virginia Woolf, Hart Crane, and Sylvia Beach, the novel situates its characters within the lineage of great thinkers, artists, and seekers, many of whom were outcasts in their own time. This intertextual depth lends the book a haunting resonance, reminding us how art often emerges from profound solitude.
Louie, who is at once fragile and radiant, feels like a character born out of longing. His bond with Ron is tender, real, and beautifully undefined; it resists the binaries of friendship and romance, instead embracing something more nuanced: chosen kinship. Other secondary characters add their own textures to Louie’s emotional backdrop, shaping his growth and reminding us that human connection is always political and spiritual.
This book isn’t for readers who crave fast pacing or traditional plot arcs. It’s for those who enjoy wandering thoughts, philosophical digressions, and the meditative rhythm of characters sitting in cafés talking about art, grief, and the unknowable future. It’s a novel that asks you to slow down and feel rather than simply read.
There are moments where the prose becomes slightly repetitive or self-referential, but even that feels intentional, as if echoing the loops of memory and grief the characters are caught in. And there’s something profoundly healing in that.
Overall, this is a book about remembering, and in remembering, beginning again. Author Ambrosio gives us a novel of resistance; the resistance of the artist, the queer body, the intellectual, and the survivor. And in doing so, he leaves us not with answers, but with a space to contemplate our own “new life,” whatever that may mean.
The Reading Bud 