Welcome to TRB Lounge. Today, I’d like to welcome the author of Brothers and Strangers: A German-Iraqi Memoir —Junis Sultan for an author interview with The Reading Bud.
About The Author

Junis Sultan studied in Frankfurt am Main, Eichstätt and at California State University Fullerton. He received a Fulbright and a Horizonte Scholarship. For the past six years, he has taught English, politics, and economics as a high school teacher in Frankfurt am Main. He is pursuing a doctorate in Modern Political Theory at the University of Heidelberg.
You can find author Sultan here:
Author Website | Hessenschau | UNO-Fluechtlingshilfe | Kohero Magazin
Interview
Welcome to TRB! Please give our readers a brief introduction about yourself before we begin.
My name is Junis Sultan. I’m an author, a teacher, and a doctorate student. I was born in Mosul, Iraq in 1986 to a wealthy intercultural family. After the Gulf War in 1991, my family fled to Germany. We have stayed here since then; so, I’ve spent most of my life in Germany. I started journaling when I was 15 years old—after the 9/11 terror attacks, a very intense and emotional time. Since then writing has been my way to process things and find meaning.
I studied Politics, Economics, and English in Frankfurt, Eichstätt, and Fullerton and received a Fulbright and a Horizonte scholarship at the time. I currently teach part-time at a middle school near Frankfurt and pursue a doctorate in Modern Political Theory at the University of Heidelberg.
In my free time I love to be outside or do sports. One of my lifelong passions in addition to writing is boxing. It started with a movie—Rocky—when we came to Germany.
Please tell us something about your book other than what we have read in the blurb?
It was a quite a journey until my memoir got published. The first version of my memoir was titled “Struggles of Strangers: Of Bonding and Freedom” and self-published in 2017. It was staged at the German National Library in Frankfurt. In 2019, it was shortlisted for the Restless Books Prize for New Immigrant Writing in New York. Shortly, I signed a contract with Brandylane Publisher Inc. and Königshausen und Neumann to get a polished version of my memoir published with a new title in the US and in Germany. The US title is BROTHERS AND STRANGERS: A GERMAN-IRAQI MEMOIR; the German title is GLAUBENSKRIEGE: VON FREMDEN UND FREUNDEN.
Even though I mostly grew up in Germany and even though German is my mother tongue, I wrote my memoir in English. Writing in English started with some journal entries, mostly poems and lyrics. When I began to study English at Goethe University Frankfurt, I completely switched to journaling in English.
My memoir includes original journal entries; but not just that. It also includes classic storytelling, news-reports, photos, official correspondence, and even court verdicts. On top, it takes place in different settings: Iraq, Jordan, Germany, and the US.
Why did you choose this particular theme for your book? What is that one message that you’re trying to get across to the readers in this book?
This might sound strange, but I think I did not choose the topic; I believe the topic or life chose me. My father is an Iraqi Muslim and my mother a German Christian. I was born to connect these two worlds, build bridges, and foster mutual understanding and integration. This has been my blessing and curse at the same time. In addition to my family structure, the flight to Germany was another personal fate that demanded my continuous efforts for integration. My happy, privileged childhood was abruptly cut short by the Gulf War in 1991. Our home was destroyed; we were forced to flee and eventually settled in a small conservative town in Germany, near Frankfurt, where we struggled to adapt to our new circumstances. I found myself increasingly torn between two worlds—fighting to carve out an identity for myself between my family’s expectations and a culture that demanded my assimilation. After the 9/11 terror attacks, I began to keep a diary, in which I reflected on questions of family, friendship, religion, and politics. These deep insights gradually expand beyond cultural borders, as I began to explore the universal human needs for bonding and freedom. If I had to break down my memoir to one message, it would be: Act with openness and love.
What inspired you to write this book? An idea, some anecdote, a dream or something else?
On November 11, 2011, I was so broken from the yearlong repercussions of the Gulf War, our flight, and ethnic and religious conflicts in my family and in our new environment that I didn’t see any sense in staying life. After having returned to Frankfurt, Germany, from a study-abroad year in Fullerton, California, I experienced a reverse culture shock: repeated experiences with racism, the uncovering of the racist NSU murder series, and the separation of my parents after decades of marital problems in which ethnic and religious differences were constantly played up. The feelings of loss, loneliness, and despair overwhelmed me that day. I was determined to end my, what I thought, cursed life. But then, pictures came to my mind, like flashes, picture of the positive experiences and relationships in my life. That day, the idea evolved in my mind. In order not only to survive, but to heal, I wanted to write down everything. I wanted to use my story and create something good for others. I wanted to help others deal with their fears and despairs. I wanted to encourage people to love themselves and those around them. I wanted to tear down the walls we have created and connect old and young, men and women, East and West—all people. This was the only way my life made sense to me: to encourage our human experiences—the needs for bonding and freedom, the struggles for happiness and peace, and the connecting and liberating powers of love.
How long did it take you to write this particular book?
It took me several years to finish this memoir as I was facing some challenges on the way: dealing with re-traumatization, developing personally, becoming a better writer in a second language, completing my studies, teacher training, and teaching full-time. The first version of my memoir was called “Struggles of Strangers: Of Bonding and Freedom.” I completed it in 2014/2015 and began to contact literary agents and agencies—without success. So I revised it, again and again. In 2017, I self-published it. In 2019, after about 1000 rejections, it was eventually shortlisted for the Restless Books Prize for New Immigrant Writing in New York. Shortly, I signed a contract with Brandylane Publisher Inc. and Königshausen und Neumann to get a polished version of my memoir with a new title published in the US and in Germany.
What are your writing ambitions? Where do you see yourself 5 years from today?
I would definitely like to write more books. I see myself in 5 years doing the same—teaching and writing—but on another, higher level. Ideally, I will be teaching at university and finishing my next book. I already have it in my mind. It is a continuation of my family’s story. The next book will tackle topics that have been taboos in my family: personality disorders, sexual abuse, homophobia, drug abuse, and suicide. Obviously, these topics are very serious. And it will be difficult to go through everything again. But I think I owe it my brother who was found dead in his apartment in 2021 as a victim of a drug overdose. I want to encourage people to openly talk about these problems—which go beyond cultural borders—so that we all take responsibility and find ways to help those who are affected, in some cases including ourselves, heal, make progress, and live a life in which everyone can prosper.
Are you working on any other books presently?
Yes, I am, but it is another kind of book, an academic book. It is my doctoral dissertation I write at Karl-Ruprecht University Heidelberg. The title is “Linguistic justice: Rethinking Education in Liberal Democracy.” It’s about how public schools (analyzed by the example of Germany) can do more justice to the growing numbers of students that have a non-European background. It’s about the politics of recognition, the prioritization of integration, legally binding frameworks, linguistic and global citizenship, community-based multilingual education, longer joint learning, and inclusive education that is open for different cultures, languages, and religions. There are many ways to further integration; they all make a difference.
Do you also dabble in Fiction?
No, I don’t and probably won’t because the topic I focus on—integration—is a matter of heart for me that does not only concern ethnic minorities. It’s about justice; it’s about how we want to live together as people. On the other hand, I have some dystopic novels with my students at school, which touched this topic indirectly or directly—like Brave New World or The Giver. So, maybe one day I will dabble in fiction but definitely not in the next five years.
When did you decide to become a writer? Was it easy for you follow your passion or did you have to make some sacrifices along the way?
I first dreamt of becoming a writer when I started journaling as a 15 year old. My dream was to live in a warm country close to the ocean, read a lot of books and write books. At the time, I also began writing and translating a number of speeches for my father, who was the chairman of the Council for Foreigners. Still, writing was more a hobby and I was more serious about becoming a boxer then. Boxing taught me many life lessons, above all discipline, which includes making sacrifices. So, being ambitious and disciplined has been part of my personality for a long time. It was and still is natural to me. I am a driven person. And yes, I made a lot of sacrifices on the way to follow my passion and become a writer. When you work 9 hours a day, commute, do the household, cook, eat, do sports, shower, and sleep 7 hours at night, there is not much time left every day to become something else—especially if you decide to use your free time watching TV or going out, being social etc. I radically cut back mostly all of those things, except family and health. There always needs to be time for these two things. But if you really want to become something else, you need to invest at least 2 hours every day in yourself, if not more.
What is your writing ritual? How do you do it?
I am a nighthawk. Since writing was never my full-time job, I always wrote after I had met my other obligations. I have the habit of changing place when I write. Sometimes I write at the dining table, sometimes at my desk, sometimes on the couch, sometimes standing, sometimes at the kitchen counter, sometimes in the train or bus, sometimes in a café, sometimes right after work or in my breaks in the classroom, sometimes at the train station or airport, sometimes at the pool or even the beach. Sometimes I change places because I have to, sometimes I change place because I want to; it somehow makes me approach the material with different eyes. I usually write on my laptop, but I also have loads of notes on small pieces of paper. My working place is normally a precious mess. Sometimes I like to listen to instrumental music, often soundtracks. When I am working on a difficult piece, I need absolute silence though. I will read the text aloud, again and again until it flows. I usually drink tea, mostly ginger tea with honey, or coffee with milk and sugar when I write.
Is writing your profession or do you work in some other field too?
No, writing is not my profession; I currently work part-time in a middle school as an English and Politics and Economics teacher. In addition, I pursue a doctorate in Modern Political Theory at the Karl Ruprecht University of Heidelberg. I also taught high school for three years before that. I did enroll in several creative writing courses during my studies in Frankfurt and Fullerton though. I was also doing some translation work for my writing teacher in Fullerton, who had lost her uncle in a German concentration camp.
Can you recommend a book or two based on themes or ideas similar to your book? (You can share the name of the authors too.)
Reading “The Diary of Anne Frank” touched me very deeply as a teenager. Even though I cannot compare her story with mine, there are some similar topic like the mother-child conflict and feeling alone and sad as a teenager.
Further, I have read many (auto-) biographies and memoirs by African-Americans who have covered themes similar to my book: the struggle for equality and freedom. To name some: W.E.B. Du Bois, Malcolm X, Muhammad Ali, and Michelle and Barak Obama.
How do you deal with Writer’s Block?
I normally use timeboxing as a technique. To give an example: I allocate an evening for a revision of two pages or two years for writing an entire book. This way I create some expectations of myself and take track if I reach my goals. I often do not share my goals with others; reaching new goals is a personal standard I have for myself. The bigger the goal, like writing a new book, the more flexibility I give myself. If, for instance, I am not able to write a halfway good text on one day, I accept that and take a break. I go outside, do sports, and most often that is already enough to approach the piece with more energy and new eyes. If that is still not enough, I try the next day again. And sometimes, I have days where I am very productive and make up for the other less productive days. These are the days when I work until midnight or even longer.
What advice would you give to aspiring writers?
Never give up. Always keep working on your craft. Read and study your topic. Share your work with others. Everybody has got a story. But, always keep in mind that you need to answer the following two questions in the end: What can we learn from you? How does it make anyone’s life better?
Thank you, author Sultan, for taking out the time to answer our questions and for all your thought-provoking and interesting answers!
About the Book

Brothers and Strangers: A German-Iraqi Memoir
Born in Mosul, Iraq, to a wealthy intercultural family, Junis Sultan’s happy, privileged childhood is abruptly cut short by the start of the Gulf War in 1991. With their home destroyed, Junis’s family flees to Germany, settling in a small conservative town near Frankfurt. As his family struggles to adapt to their new circumstances, Junis finds himself increasingly torn between two worlds—fighting to carve out an identity for himself between his family’s expectations and a culture that demands his assimilation. After the 9/11 terror attacks, Junis begins to keep a diary, in which he reflects on questions of family, friendship, religion, and politics. These deep insights gradually expand beyond cultural borders, as Junis begins to explore the universal human needs for bonding and freedom.
Brothers and Strangers is a unique, heartfelt memoir of endurance, forgiveness, and self-actualization, offering a timely message about the importance of acting with openness and love in a global reality.
You can find Brothers and Strangers here:
Amazon | Brandylane Publishers Inc. | Facebook
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