
Book Details:
Author: Robert A. Walker
Release Date: April 30, 2025
Series: The Legends of Baelon (Book #2)
Genre: Fantasy, Adventure
Format: E-book
Pages: 393 pages
Publisher: –
Blurb:
“Revenge is a temptress, full of promise, but she rarely satisfies… and almost always exacts payment.“Still grieving over the loss of his wife and daughter, King Axil of Aranox declares war on The Guild of Takers. The GOT’s High Order responds, strengthening its efforts to kill both of Baelon’s monarchs. Tristan Godfrey seeks his brother’s murderer, and true love is made to wait again as Sibil Dunn embarks on a solitary crusade. Saved from the guillotine, Overseer Reynard Rascall looks to avenge Spiro’s death, while retired Royal Guard, Rolft Aerns, recovers from his wounds and puts away his sword—until, that is, he learns of Sibil’s quest.
And all of Baelon hangs in the balance.
Review
There’s epic fantasy, and then there’s Baelon. Author Robert A. Walker returns with Two Crowns, Three Blades, an emotionally rich and expansively plotted tale that refuses to be boxed into the usual tropes. This book took me deeper into the world he so vividly carved in Six Moons, Seven Gods, but this time, the narrative heart is Sibil Dunn, and what a heart she has.
Author Walker has this unique ability to blend the elegance of high fantasy with the grittiness of lived trauma. Sibil’s journey that is part grief-soaked pilgrimage, part battle cry, is full of tenderness, fury, and painfully honest introspection. From dreamlike forest encounters to political maneuvering in war-torn castles, every chapter feels like a painting: atmospheric, emotionally charged, and tinged with bittersweet tension.
The prose flows beautifully, it is lyrical yet grounded, and I truly appreciated how much depth was given to the emotional fallout of war and vengeance. Author Walker doesn’t shy away from the weight of loss. He lets his characters breathe through it. But what really made this book sing was its handling of legacy, both personal and political. We see young people like Sibil and Tristan trying to reconcile inherited grief with the need to carve out their own purpose. There’s an almost Shakespearean tension between duty and identity, particularly in the climactic moments between Sibil and King Axil. It’s subtle, powerful, and brilliantly done.
If I had to nitpick (as an editor, I must), I might say that the middle sagged just slightly under the weight of dense political strategizing. But that’s a small matter in the grand scope of what Author Walker accomplishes here. This is what fantasy should be: grand in scale, intimate in voice, and unafraid to ask hard questions about loyalty, love, and the cost of courage.
I highly recommend it to fans of Robin Hobb, Tad Williams, and emotionally intelligent fantasy in the vein of The Priory of the Orange Tree or The Faithful and the Fallen. This book (and series) is a must-read!