Author Interview

Author Interview: Christopher Long

Welcome to TRB’s Author Interview Lounge. Today, I’d like to welcome, Christopher Long, author of Something Needs Bleeding.

About the author:

At thirty-six years of age, Christopher Long is a relatively young writer. But when you read his writing, you realise he is older than beyond his years. He has the horror and torment of a million tortured souls in his work.
Dark, supernatural stories are his life blood. His first shocking novella, The Compressionist, is a scary tale about a man that feeds on the very life force of people and has done since the dawn of time. It was published early Spring of 2014.
He writes like a man possessed. Maybe he is? He sure seems older than his years suggest. No one dare go up in his attic to see if there is a picture of his good self that might be changing.
His second novella, The Final Restoration of Wendell Pruce, a tragic tale of a recently retired thespian who finds something very strange in the grounds of his seaside retreat. Was published in the summer of 2014.
His third novella, The Narrow Doors, a tale that proves sometimes you should leave the past buried, was also published. all three of these were released as part of a novel length collection, Christopher Long’s Unusual Things.
His debut novel Something Needs Bleeding, was a ground-breaking novel where he edited the last stories of mysterious horror writer Thomas Singer is a horror tour de force. A further two novels are in the pipeline, or sewer pipe in Christopher Long’s case. The next is early 2017 and we at KGHH Publishing can’t wait.
Christopher has been writing stories since he was first able to hold a pen. Reportedly his first book collection, Tales from the Crib, would scare any nursery school or kindergarten.
It all began for Chris when someone gave him their copy of Roald Dahl’s James and the Giant Peach, and he hasn’t looked back since. If only in fear that someone’s going to hit him with the library late returns fee.
For Chris, stories are a means of escape. Not always to a place your average person or writer would go, but a dark, scary place that Chris feels most at home. The dark places that are in all our minds.
He is happily married to the lovely Samantha, or “Her Highness” as she likes to be called. They live in the midlands of England, which is a bit like Tolkien’s Middle Earth, but with just a few less Orcs! And where Sam refuses to let Chris read her his bedtime stories, as he told her one once and she didn’t sleep for a month.

Hello, Christopher. Thank you for being here today.

Can you please tell my readers about your ambitions for your writing career?

I did start with ambitions but, I’ve got to be honest, they got in the way of the writing. For a long time, I was really only writing for myself. Then, when I self-published a couple of stories, I waited for the praise. The adulation. I know it sounds really childish and naïve, but I assumed that you wrote a story and people came running to you for more. The minute I realised they didn’t, I found it started affecting any story I was working on. It made me question everything I was doing. That’s why, these days, I’m trying to keep one ambition ahead of all the shiny and distracting ones; just enjoy what you’re writing. It seems to be working for me so far.

That said, I will never turn my nose up at thought of fortune and glory.

Which writers inspire you?

Roald Dahl was definitely the first. When I came across his stories as a kid, they caught me off guard. They were devious and cunning. They could make me laugh, scared the hell out of me and never felt like they were talking down to me. I kept waiting for people to come along and confiscate them at first. He taught me a lot as I read everything of his I could get my hands on. Not just about story, but also about the relationship the writer can have with his readers as well.

Neil Gaiman has definitely been a big influence. Although a lot of that influence can also include me hating him for just good his stories are. Pretty much every story I’ve read of his just feels like this perfect, polished gem that’s come from another world. They’re so insightful, yet so deceptively simple. So perfectly designed to fit in a gap in your head that you didn’t know was there until you’ve put the book down. Damn him.

I recently realised Emily Brontë taught me a very important lesson about writing. The first time I read ‘Wuthering Heights’ I was pretty young and I didn’t understand the idea of an untrusty narrator. So, when Lockwood is taking you into the story, I didn’t understand that he was lying to me and trying to cover over his own fault. She had written him so sublimely that all his passive aggressive nature almost snuck under my young radar. Thank you, Emily. Any time I doubt the value of first person narrative, you remind me why it matters.

Tell us about your book?

‘Something Needs Bleeding’ is, on the surface, a collection of ghost stories by recently diseased author called Thomas Singer. However, as you read each of his stories, you’ll start to find links between them that all hint to a secret Thomas kept until his death.

It wasn’t what I was set out to write at all. I was trying to write a far more standard dark horror comedy, but I couldn’t get my teeth into it. It made me start questioning where my own flavor of horror came from and what it really said about me. Which, in turn, got me thinking about how horror can affect people both as a genre and as an actual event in someone’s life. That was when I saw that the far more interesting story lay not so much in telling a horror story as looking at how we tell a horror story through a horror story. It let me talk about how we express something which has scared us or damaged us through the stories we tell other people.

How long did it take you to write it?

Once I actually got moving on the idea, I think it took me around half a year. Although it felt a lot longer at the time. I remember seeing friends and barely being present when they were talking to me. My mind was forever wandering back to these stories and to the man I was creating to write them.

Are you working on any other project(s) right now? If yes, what are they?

The main thing I’m working on right now is my second novel. I started trying to write it back in 2016 and so far, I’ve got to say, it has been an absolute beast. In fact, early this year, I had to drop the story I’d been working on for months and start something new. It wasn’t easy but the original idea had been restarted so many times that I’d completely lost faith in it. On the bright side, doing that has allowed me to start something very different from anything I’ve written better and, so far, it’s going really well.

I’ve also got to get a couple of short ghost stories ready for a Halloween and Christmas collection for this year and I might be getting a story onto a rather popular podcast. Although, I’m worried about jinxing that one. Also, recently, I’ve set up my own website. Which means I’ve entered the glamorous world of the weekly blog. It’s also got me writing poetry again, which I’ve not done in ages. In fact, recently, my poetry got me some incredibly humbling feedback. Someone wants to put one of my poems up on a canvas print in their house. I still can’t quite wrap my head around that.

Why have you chosen this genre?

This is going to sound really tacky, but there’s a possibility it chose me. I never really set out to be a horror writer. To be honest, for a long time, I wasn’t really much of a horror fan. I read Stephen King’s Dark Tower series and some early Clive Barker, but I never delved into the dark and gruesome torture fiction my friends were into when I was growing up. I was busy with Arthur C Clarke, Terry Pratchett and Raymond Chandler.

I was writing big, sweeping fantasy sagas back, until I stumbled across Fight Club and Hunter S Thompson. Which led to me writing some very dark, strange tales for a while.

The ghost stories really came about because of M R James. I’d seen a TV show where Christopher Lee told some of James’ classic tales pretty much straight to camera and that always stayed with me, but I never dreamt of trying to write one. Not until I was bored on a long car journey about three years ago. I saw someone standing on a motorway bridge and then thought I saw someone standing on the next one. It got me thinking and I ended up writing a story called ‘The Low Road’ that afternoon. I found it surprisingly easy and enjoyable to do. It also got a great response from people who read it

As I started to explore the genre I found the potential to write some great character driven stories. Really good horror stories push characters into unfamiliar territory. They force them to face the impossible. So far, that chance to disturb the equilibrium of flawed character’s lives has lead me to some pretty interesting places.

When did you decide to become a writer?

That happened at primary school. I was reading ‘James and the Giant Peach’ when I became aware of the fact people could tell stories for a living. I couldn’t believe that was an actual way to live as an adult. In some respects, it felt a little wasted on adults. Everyone I knew had parents who were office-bound every morning or worked in a shop. I still remember walking into our classroom one morning and one of the girls in my class asked me what I wanted to be when I was older. I told I wanted to be an author and I’ve never really looked back.

Why do you write? 

I guess it’s somewhere between a compulsion and an addiction for me. I know I hate not writing, if that makes sense. When I finished ‘Something Needs Bleeding’ and sent it off to my publisher, I opened a new Word file. I wasn’t exactly sure what I was about to start, but I knew I couldn’t just sit back. It felt wrong. There are too many stories I want to tell. I can’t quite imagine a day where I get up in the morning and don’t write for a couple of hours.

Where do your ideas come from?

The ideas come from the tiniest of details normally. The whole of ‘Something Needs Bleeding’ started off with me walking home from the pub on the first night they turned all the streetlights off after midnight around here. There was that cold, heavy silence that you only get when it’s truly dark. It really got to me and started the wheels spinning in my head. ‘The Final Restoration of Wendell Pruce’, which is probably my favourite of all the short stories I’ve written so far, came from a nightmare. I woke up with these strange images of an old man trapped in a house that was constantly changing around him and knew I had to use them. I ended up sitting and writing for that whole day. I started when it just getting light and stopped after the sun had set. I was determined to capture that fear and I think it worked pretty well. One thing I will say is they rarely come fully formed. They’ll start off as one thing and just the process of telling them to myself on that first draft will change them into something far more interesting.

How do you prefer to write? On computer/laptop, typewriter, dictation or longhand with a pen?

I have the worst handwriting in the world. Well, it’s probably in the top ten. I used to write all my stuff by hand, years ago. I would scrawl them down on pads or spare sheets of paper. They were these ever expanding bundles of scruffy looking pages. I always thought a computer would ruin the process, until the day I tried to read one of them back. After spending hours trying to decode the smudged hieroglyphs I’ve covered those pages with, I decided I had to start typing stuff instead. It took me a while to get used to it. In fact, I started with poetry before I went to prose. It helped me get the rhythm right, as pretentious as that sounds.

Annoyingly, over the years, I’ve been given some really nice leather notebooks to write in and I’ve not got the heart to tell people those pages will never hold a draft of a story. Ideas for a story, sure? The odd comic book shopping list, definitely. But not a story. Not if I want to be able to read it.

What are your 5 favorite books and 5 favorite authors?

That’s a tricky one. It’s a list that can change from one week to the next. That said, my favourite book is pretty much always going to be ‘Catch 22’ by Joseph Heller. I love the insanity and pain of that book. The dizzying logic of the whole thing. It’s brilliant, hilarious, powerful stuff.

‘House of Leaves’ by Mark Z Danielewski is another one of my favourites. It’s a book that plays with reality and style, but has an ingenious story at its heart.

‘Number 9 Dream’ by David Mitchell is another book I will go back to over and over again. I know a lot of people will say ‘Cloud Atlas’ is better, but this was the first Mitchell book I read and it blew me away. It toys with you and your expectations, but it never feels shallow or like a trick.

‘The Witches’ by Roald Dahl is on the list, without a doubt. One of the perfect horror books for a kid. It’s chilling and exiting and, for me, the best use of witches in any fiction.

‘Neverwhere’ by Neil Gaiman is close to perfect as well. I watched the original BBC TV show and hunted the book down as soon as I could. It has this wonderful array of strange fantasy characters who are out of this world but have their roots sewn into the streets of any major city. It’s such a great mythology. Yep, now I have to hate Neil again for a while. Damn him.

How do you deal with Writer’s Block?

Very, very badly. I keep writing as often as I can in order to keep The Block at bay, but it can still catch up with me. Take that idea I had for a second novel. I tried any which way to dodge past it, but it tackled me to the ground in the end. If I’m not careful, I get lost in a maze of notes and previous drafts.

What I’m trying to do right now is work around it. So, if I start to struggle with an idea, I set it aside and try something else out for a while. Work on the next blog post, a poem, look over something I need to get written for a future commitment. Sometimes I pick up a really early idea and play with it again for a day or two. That seems to be a pretty decent distraction at the minute.

What advice would you give to new aspiring authors?

Everyone is going to tell you to write and they’re one hundred percent correct. The best way to find your voice and to find what you want to on the page is all held in that process of just keeping at it. Keeping writing. The thing is, though, I think every aspiring author knows that deep down, already.

So, the best piece of advice I can offer you is to find likeminded people. Hunt them down on social media. Or at conventions. Or at writing groups. Over the past couple of years, I’ve been lucky enough to meet some great people. Some really friendly, really open, really creative writers. Reading their work and talking to them about stories has helped me up my own game no end and it’s also helped me to feel like this isn’t just me sitting in a room on my own. Especially when it hasn’t been easy finishing a story or starting one.

So, yeah, that’s my advice. Go find other writers and stick with them. There’s safety in numbers

Thank you, Christopher, for all your impressive answers!


About The Book:

Kensington Gore is a man on a mission. He always aims to give his readers something fresh from the world of horror. Only this time he is offering you something a little different. This time he is offering you a piece of horror history to call your very own. Collected in this volume are the final works of one of the great unsung heroes of horror, Thomas Singer. Singer was a man who truly knew how to terrify his readers with his strange, nightmarish tales. Sadly, though, he never received the acclaim in life he so rightly deserved. Following the mysterious death of the reclusive writer earlier this year, Kensington Gore Publishing author Christopher Long was invited to help edit Singer’s final five bone chilling tales and introduce them to the world. There are many rumours and theories about what secrets these stories may hold. Singer himself selected them from his extensive back catalogue and held them back to be released only after his death. So read Something Needs Bleeding, if you dare. See what you can find hidden in the final pages Thomas Singer had to offer the world. Just be careful you don’t come away with blood all over you.


For more author interviews, click here.

If you are an author and wish to be interviewed or if you are a publicist and want to get your author interviewed on TRB, then please get in touch through direct e-mail: thereadingbud@gmail.com

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